It happened three
years ago… two weeks after my mother passed away.
For the last 15 years
she and I had lived together. Her death was not a
surprise to me. She was a very
sick person for many years, and
in those last months she rarely saw times when she was not in
pain.
She was a very
courageous person. She complained only
if it was absolutely impossible to
cope with the pain. And for my whole life, I saw her caring
about my life and lives of the family
members more than she cared about herself.
My mother was smart and kind. She would read interesting books, watch good movies, go to her club, and then she would tell me all about it. It was so nice to discuss a film or a book with her.
She was loved by everybody who knew her: relatives, old friends, and the new friends whom she continued to collect even after the age of 80. This included the social workers assigned to take care of her.And through it all, she and I understood each other very well.
Then suddenly, she was gone. After two weeks it still didn’t seem real.
My mother was smart and kind. She would read interesting books, watch good movies, go to her club, and then she would tell me all about it. It was so nice to discuss a film or a book with her.
She was loved by everybody who knew her: relatives, old friends, and the new friends whom she continued to collect even after the age of 80. This included the social workers assigned to take care of her.And through it all, she and I understood each other very well.
Then suddenly, she was gone. After two weeks it still didn’t seem real.
But life had to
go on. And by
nature I'm not someone who will
use a bad mood as an excuse
not to work. I tried to make something.
Sitting in the
studio, working on a computer, I could manage
some simple orders. But projects that required imagination and concentration were absolutely impossible. My thoughts
kept wandering to something else.
Then I got an order for a Hamsa figurine. (A
Hamsa is a Middle-Eastern symbol, a hand-shaped charm for protection from “the evil
eye”.)
The customer wanted a figurine of silver, 15
cm high, made in the Middle-Eastern wire-wrap technique. In the center would be
a natural blue sapphire, set in white gold. The Hamsa was intended as a gift
for someone who did not like yellow gold, considered the sapphire his personal stone,
and obviously believed in good-luck amulets.
These were the initial
conditions. The budget and all the other details were at my discretion.
This presented more challenges than a piece of jewelry.
It was a statuette, which meant that it would have to stand on its own. It
would also be viewed from all directions – no “back side”. Last but not least,
I had only one month to design and execute the project.
Until now, I had only done one other job of such complexity and size (a silver handbag for an international competition). That project had been thought out very carefully, with each part simulated before working it in precious metal. And it had taken me a whole year.
Until now, I had only done one other job of such complexity and size (a silver handbag for an international competition). That project had been thought out very carefully, with each part simulated before working it in precious metal. And it had taken me a whole year.
Now I would have to run
through all the stages in about one month –including delivery to another country! And I had to locate
the requested stone, a blue sapphire
cabochon, which happens to be quite rare.
I plunged into the
work without hesitation. I realized
that I could not refuse… it would not be true to my
nature.
My first challenge was to find the stone. My reliable supplier of gemstones was on holiday for a week. I didn’t want to buy
from another supplier, so I was determined to wait out the week...one fourth of my allotted time. But this would also delay the design. How
could I start on the design of
the figurine without the stone which is
the centerpiece?
Meanwhile, the clock kept ticking. So
I bent one of the accepted rules of design and started modeling anyway.
I went to Tel Aviv and
bought beads – sapphire
and aquamarine – along with gold and
silver wire. My model was made
of brass pieces, braided wire and beads. During the simulation, the initial idea
was transformed and simplified.
As always, in the
process I doubted whether I should keep the direction I had
started. Do I like what I'm doing? These doubts are completely useless. It only delays the work.
And this project was planned out literally by the hour, with no time to spare. So
I forbade myself from
stopping in the middle.
To everyone’s surprise, my work totally captivated me. I couldn’t sleep at night for more than 4 hours. I
canceled visits from my daughter
with the grandchildren. I even refused to see my favorite granddaughter, Sivan. I stopped going for
morning walks by the sea. In the
words of my husband Avraham, I “went
absolutely off the rails.”
I could not think of anything except this work. The fact that my mother was no longer with me, I hardly remembered. I stopped thinking about her. Or rather, I thought of her in a different way.
I had some sort of confidence that the chain
of events was not random. It was not by chance that this order came in right
now, two weeks after her death. It was my mother who sent it to me. She knew
that it would be a hard time for me. She knew that when I’m working I forget everything
else. And so she sent this order.
The sense of loss left me… I just had no
time for it.
The client needed to receive the statuette by
a specific deadline. That meant another risk... Even by special delivery,
getting the package through customs can take several days. I decided that I
would deliver the figurine myself, in person.
The day before the deadline, one day before my
flight, the Hamsa was completed.
The silver frame held in its center a golden
rhodium-coated braided wire spiral, surrounded by dozens of beads, gold and
silver wire, natural sapphires and aquamarines. They looked like a myriad of
stars and planets. The spiral in the center could remind the viewer of
whirlpools or tornadoes, or a DNA strand, or other galaxies.
Hamsa, entitled "The Universe"
I arranged with my favorite master of photography, Vitaly Kardashov, for a photo shoot on the last night before the delivery trip. This meant another two hours of experimenting with the lighting, making trial shots, changing the angle. I can now confirm the truth I once heard, which at the time I had thought was exaggeration:
Hamsa, entitled "The Universe"
I arranged with my favorite master of photography, Vitaly Kardashov, for a photo shoot on the last night before the delivery trip. This meant another two hours of experimenting with the lighting, making trial shots, changing the angle. I can now confirm the truth I once heard, which at the time I had thought was exaggeration:
“To make a good photo is no easier than to make a good thing.” But Vitaly achieved it.
So this photo –
shown at the beginning of the blog –
contains the core memories of
my life during that month after the death of my mother. It was a project
that challenged me as never before, and it saved me from
boredom and depression.
After all, I've always believed it... nothing in life happens by chance, right?
My mother, one month before her death
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